Cock Shot is a deep, probing exploration of an all-male world, whose big-dicked citizens stalk in search of unrelenting bottoms. These hugely endowed studs and the holes of these ravenous bottoms cruise the barren world looking for their match, the men who will provide them with all the sexual gratification they desire. Cock Shot is the second in Adam Killian’s Monster Bang trio, in which he explores a post-apocalyptic vision where the normal order of human need — food, shelter, clothing — plays second fiddle to intense sex, and where orgasm is the prime directive. This world captures the sexual senses of every inhabitant, and each of the featured studs use up close and even penetrating body language is the preferred means of communication. Despite his bright tattoos and gym-sculpted torso, James Ryder is an inexperienced youth driven by testosterone to seek gratification. He welcomes the tutelage offered by Trenton Ducati, who teaches him how one hungry man fulfills another. What begins as a wank for Jessy Ares and Rod Daily turns into full-on sex when each realizes the other is watching and wants more. The homeless Jimmy Fanz learns what it means to be the object of a man’s desire when stalker Shawn Wolfe interrupts his dreams with a cock that demands release. Finally, handsome Jake Genesis and ultra-hung Ty Roderick enact a slow, sensuous cock dance that puts all their senses to work in a sensuous flip-fuck that’s extremely passionate. Put the name Adam Killian on your list of new directors to watch out for, then grab Cock Shot and get transported to a sexual future where all the holes are waiting to be filled with the hugest dicks to be found.
Trenton Ducati once again proves why he is my favorite performer here in COCK SHOT as he gives a tour de force performance with costar James Ryder. Actually, he coaches James on how to be a better bottom and in doing so, improves the overall performance for both of them. Aside from Trenton’s usual hot sexuality and dirty talk, he urges James on by saying “Tell me how that feels…” or “Do you like my fat cock; you have to tell me!” James does reply. Once James said something and Trenton said “Repeat that!”, which was good, because James mumbled it and the comment was a winner: “Stretch my fucking hole!” Trenton took the time to position James’ back correctly in the doggy style and tell him to push back into him, but James never did quite get it, just hunching his back again and pulling away with each of Trenton’s mighty thrusts. James – have a look at Felix Barca in Stag Homme’s PIZZA PERVERT to see perfect bottoming in the doggy style. Felix is backing into each thrust from Damien Crosse demonstrating perfect bottoming technique. Trenton mixed up the action by throwing in lots of rimming and blow jobs with the fucking. For the life of me, I don’t know why more directors don’t insist on this! It really makes for a better and more interesting scene. In this case, it gave the scene and endless quality of sexuality and fun. I enjoyed every minute of seeing Trenton adore James’ ass and body. The best part, was when Trenton asked James if he would like to pile-driven. I don’t think anyone would give a negative response to that question! And what an “outcum”! James came into his own mouth while being fucked! Then Trenton jerked off onto James’ body. Trenton Ducati really made this scene a winner, even though he had to coach his willing partner, James Ryder.
The next scene was more artistically lit, so Jessy Ares and Rod Daily looked very muscular and hot. Jessy was his usual growling, dirty talking and sexual beast. I was not that impressed with Rod’s blow job technique. I feel that he needs to expand his repertoire and try some new moves, such as eye contact and throating. Also, he needs to speak up when he talks instead of mumbling into the floor. Rod was audible at times, but at others he was not. Aside from those critiques, the scene was fine. There was a gorgeous camera shot of Jessy’s glutes flexing in response to Rod’s blowing him, something you rarely see and Jessy rubbed his erection on Rod’s foot [one for the foot-fetishists]. Rod did move well in one sequence of the doggy style as well as during the missionary position. Again Jessy mixed up the pattern of sexual repertoire by interspersing brief blow jobs and rimming. The cum shot was really fucking hot, as Jessy plowed it out of Rob, who came growling. I watching enjoyed this scene and both men did a great job!
I was impressed with Jimmy Fanz’ bottoming in the doggy style position in his scene with Shawn Wolfe. He moves so well, backing into Shawn and riding Shawn’s cock, even managing to make a snake-like movement that must be seen to be believed. Shawn was able to move with Jimmy, which shows his ability and coordination as a top. The other thing I liked about this scene was the way the two men communicated throughout the scene, trading dirty talk that I just love as is turns me on to no end. Again the sexual action was broken up by rimming to keep it interesting. Shawn fucked the cum out of Jimmy, which seems so much more intimate to me than the side-by-side jerking off that is usual for studios. I really prefer it. This was a great pairing for these men and great direction.
The final scene was a flip-fuck starring Jake Genesis and Ty Roderick. I was blown away by the intensity of the two men throughout the scene and think the pairing was a super one. This scene was close to perfect and I loved how both of these models looked and performed. Great job!
COCK SHOT is a winner for director Adam Killian. All four scenes are hot and not only star the latest most popular models in adult entertainment today, but feature interesting sexual combinations that are typically not seen in porn. Also, there is artistic lighting and set design previously used in Adam’s COCK CRAZE. Adam once again demonstrates that he is able to get the best performances out of his models. There was however, a bit of distracting extra camera movement in at least two scenes, that I previously referred to in my review of Cock Craze. But that is minor at most. What a great freshman directing effort for Adam!
Highly, highly recommended!
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